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TIME: Almanac 1995
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TIME Almanac 1995.iso
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1994-03-25
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<text id=91TT0561>
<title>
Mar. 18, 1991: Desperate Hours For MGM
</title>
<history>
TIME--The Weekly Newsmagazine--1991
Mar. 18, 1991 A Moment To Savor
</history>
<article>
<source>Time Magazine</source>
<hdr>
BUSINESS, Page 67
Desperate Hours for MGM
</hdr><body>
<p>Mystery mogul Parretti needs a Hollywood-size handout
</p>
<p> How's this for action-packed cinematic adventure? Scene: the
Los Angeles set of MGM-Pathe's comedy-thriller Harley Davidson
and the Marlboro Man. It's the final phase of shooting, and
volatile screen star Mickey Rourke has had enough. "Screw
this!" he blurts out. "If I'm not going to get paid, then I'm
not going to work!" Members of the film's production crew
threaten their own wildcat strike five days later if they
aren't paid. The panicked studio rushes paychecks to the set--by messenger.
</p>
<p> Such drama is no longer rare at MGM-Pathe, the company
formed when the mysterious mogul Giancarlo Parretti acquired
MGM last fall. Parretti smiled broadly for the cameras as guest
of honor at a $250-and-up-a-plate charity dinner last month,
shortly after asking studio creditors to take their
long-delayed payments in weekly installments. He then flew to
Europe in a frenzied quest for fresh capital.
</p>
<p> How tight are things at MGM? The studio has delayed the
release of two completed films, Delirious and Thelma and
Louise, because it doesn't have the money to pay for prints and
advertising. Such postponements are "unique and embarrassing,"
says Peter Bart, editor of Variety, Hollywood's top trade
magazine. You can't blame Mickey Rourke and those crew members
for worrying: some studio employees have seen their paychecks
bounce. Parretti needs about $250 million to cover operating
costs, future marketing costs and release of the films now held
up. To raise the money he is appealing to European investors
and such banks as Credit Lyonnais, which has already extended
a $125 million credit line to MGM.
</p>
<p> Parretti has faced ballooning troubles since acquiring the
studio. He has been slapped with two lawsuits, one just two
weeks ago, by producers who claim he sold the rights to shared
properties--the Pink Panther films and the James Bond films--too cheaply. In January a court in Italy upheld an old
conviction for fraudulent bankruptcy that Parretti has been
fighting for nearly a year. The entrepreneur has also been
shamed in Hollywood's most public court, the box office. All
the films MGM has released since the acquisition (including
Rocky V, Not Without My Daughter and Desperate Hours) have been
disappointments or outright flops.
</p>
<p> Counting Parretti out would be a mistake. After all, he
bought MGM from Kirk Kerkorian for $1.4 billion despite
deafening gossip that he would never come up with the dough.
He has a long history of being dismissed and then, as an MGM
insider puts it, "pulling a rabbit--even a roaring lion--out of the hat."
</p>
<p> Parretti pins his latest woes on his being looked upon as
an outsider and an Italian. Such bellyaching doesn't wash with
Hollywood veterans, many of whom were on hand at last week's
paparazzi-and-stars dinner in Parretti's honor by the National
Council on the Aging. Parretti won the group's recognition
after dining with council chairman Daniel Thursz and wondering
aloud what the highest donations tended to be. "Oh, a few
hundred thousand, I guess," remarked Thursz casually. A day
later, Parretti promised the charity $500,000--to be paid in
five installments.
</p>
<p>By Richard Behar. Reported by Jordan Bonfante/Los Angeles.
</p>
</body></article>
</text>